film, and of where and how such strategies operate. Against the backdrop of Theodor W. Adorno's discussion of the essay form's anachronistic, anti-systematic and disjunctive mode of resistance, and capitalizing on the centrality of the interstice in Gilles Deleuze's understanding of the cinema as image of thought, the book discusses the essay film as future philosophy-as a cont...(展开全部)

The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Err...(展开全部)

Nora M. Alter argues that the essay film is a hybrid genre that fuses three major categories of film: feature, art, and documentary. Much like the written essay, its literary predecessor, the essay film draws on a variety of forms and approaches, fundamentally altering the shape of cinema. Alter traces the essay film’s origins to early silent cinema, charting the genre’s evolut...(展开全部)

Nora M. Alter argues that the essay film is a hybrid genre that fuses three major categories of film: feature, art, and documentary. Much like the written essay, its literary predecessor, the essay film draws on a variety of forms and approaches, fundamentally altering the shape of cinema. Alter traces the essay film’s origins to early silent cinema, charting the genre’s evolut...(展开全部)

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agnès Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same tim...(展开全部)

Laura Rascaroli is Senior Lecturer and co-director of Film and Screen Media at University College Cork, Ireland. With Ewa Mazierska, she authored From Moscow to Madrid: European Cities, Postmodern Cinema (2003), The Cinema of Nanni Moretti: Dreams and Diaries (2004), and Crossing New Europe: Postmodern Travel and the European Road Movie (2006). She also edited the volumes The C...(展开全部)

🌎 著者简介 朱利安·巴吉尼，《哲学家杂志》联合创办人、主编，英国知名哲学普及畅销图书作家，哲学博士。定期为《卫报》《独立报》《泰晤士报》《金融时报》《新政治家》等报刊撰稿，并且固定在英国广播公司第四电台上发声。《卫报》称：“他有着清明的心智，这让他在哲学普及读物的领域格外杰出。”他的书总是能切中当代人的思想和伦理困惑，以生动的故事或语言作为思想实验场景，为人们提供多种哲学选择的可能性。他的书总是能打破传统的思维框架，另辟蹊径。 🌎 译者简介 赖丹丹，中山大学哲学硕士，主要研究领域为基督教在中国的传播。

David Lodge's novels have earned comparisons to those of John Updike and Philip Roth and established him as "a cult figure on both sides of the Atlantic" ("The New York Times"). "Thinks . . . ," his witty new novel about secret infidelities and the nature of consciousness, unfolds in the alternating voices of Ralph Messenger, director of the Centre for Cognitive Science at the ...(展开全部)

戴维·洛奇 (David John Lodge,1935-)，英国著名小说家和文学评论家。伯明翰大学荣誉教授，英国皇家文学院院士，以文学贡献获得不列颠帝国勋章和法国文艺骑士勋章。代表作品主要有“卢密奇学院三部曲”:《换位》《小世界》和《美好的工作》；“天主教三部曲”:《大英博物馆在倒塌》《你能走多远?》和《天堂消息》；其他重要作品还有《走出防空洞》《失聪宣判》《治疗》等。并著有《小说的艺术》和《意识与小说》等多部文学批评理论文集。